Sang-hyun suffers the torment of the damned and dies with righteous intentions but is mysteriously resurrected. He is the only survivor out of 500 patients and is anointed savior, as true believers flock to his side awaiting his healing touch. Director Park Chan-wook finally does to Catholic, Inc. what the Church has repeatedly done to its own congregation. Park purposely plays with the standard vampire conventions by showing Sang-hyun reflected in mirrors and not averse to the cross, but then shows him hanging like a bat, peeping into the human world of lust, searching for his own garden of Eden. The film is darkly humorous, depicting a man without faith and a woman who never acquired it, and their mutual decline into an egocentric world of violence and ever-thirsting passion.
THIRST is a morality tale, as the seductive Tae-ju pretends to be abused by her husband and convinces Sang-hyun to murder him: the road to heaven is paved with bad intentions. When he learns of the deceit, he again murders but this time reanimates their affair, as she imbibes his bloody Communion. Tae-ju sees a world full of sheep to quench her appetite but a final vestige of morality still infuses Sang-hyun and he fights these urges, promising never to kill for sustenance…but he’s already a killer. The ex-Priest must extinguish this mortal craving for a flesh and blood redeemer so he molests a young girl, destroying the misplaced hope of his followers: it is both a grim and perverted scene. Tae-ju’s nihilism versus his lapsed Catholicism leads them to a lonely cliff, the ocean beating its own life affirming rhythm against the rocks, and all becomes ashes to ashes, dust to dust.
Final Grade: (B+)
