M (Fritz Lang, 1931, Germany) Fritz Lang’s 1931 morality tale about impartial democratic justice versus vigilante restitution remains frighteningly prescient in our modern world. A child rapist and murderer is on the loose, terrorizing Berlin, every parent’s worst nightmare incarnate in flesh and bone…and the blood of innocent victims. The narrative is structured as a police procedural rather than a criminal psychological dissection; focusing on the investigation and the burgeoning frustration of law enforcement. Lang’s expressionist style suggests the crimes rather than showing the grotesqueries. As a little girl plays with a ball, an innocuous whistling stranger befriends her and buys her a balloon thus gaining her limited trust. We know what happens because Lang shows us the ball rolling slowly through the grass, coming to a dead stop. We then see an image of the balloon floating helplessly into the overhead wires. Lang’s cinematic genius is obvious in another scene as the killer looks through a shop window spying the reflection of a lonely little girl: all sound stops, his eyes widen, his feature contort into madness. And we fear for the little child. He also moves his camera in one continuous shot around a deli, stopping to observe minor details, and up and through a glass partition: surely this influenced a young Hitchcock! As the death toll mounts, the police aren’t any closer to solving the crimes and they begin to arrest the usual suspects looking for clues. The criminal underworld begins their own search because the constant raids are bad for business. They enlist the help of the poor and destitute and it’s the blind beggar who recognizes the killer’s signature tune that leads to his capture. The criminals pass their own judgment upon this killer; this is truly a trial by peers! But without the Rule of Law then society will plunge into anarchy: self-rule works well as a philosophy but it’s the powerful that abuse the weak in reality. Even a child molester has the right to Due Process. And yes, he’s guilty regardless of his own assessment: his premeditation is legal proof of intent, and his writing to the newspaper and covering up his actions shows he understood the concept of right and wrong at the time he committed the crime. Now it’s the government’s duty to pass judgment upon his acts, to punish this murderer with all jurisprudence. (A+)
It's funny how the colors of the real world only seem really real when you viddy them on the screen.
Sunday, September 7, 2008
M (Fritz Lang, 1931, Germany) Fritz Lang’s 1931 morality tale about impartial democratic justice versus vigilante restitution remains frighteningly prescient in our modern world. A child rapist and murderer is on the loose, terrorizing Berlin, every parent’s worst nightmare incarnate in flesh and bone…and the blood of innocent victims. The narrative is structured as a police procedural rather than a criminal psychological dissection; focusing on the investigation and the burgeoning frustration of law enforcement. Lang’s expressionist style suggests the crimes rather than showing the grotesqueries. As a little girl plays with a ball, an innocuous whistling stranger befriends her and buys her a balloon thus gaining her limited trust. We know what happens because Lang shows us the ball rolling slowly through the grass, coming to a dead stop. We then see an image of the balloon floating helplessly into the overhead wires. Lang’s cinematic genius is obvious in another scene as the killer looks through a shop window spying the reflection of a lonely little girl: all sound stops, his eyes widen, his feature contort into madness. And we fear for the little child. He also moves his camera in one continuous shot around a deli, stopping to observe minor details, and up and through a glass partition: surely this influenced a young Hitchcock! As the death toll mounts, the police aren’t any closer to solving the crimes and they begin to arrest the usual suspects looking for clues. The criminal underworld begins their own search because the constant raids are bad for business. They enlist the help of the poor and destitute and it’s the blind beggar who recognizes the killer’s signature tune that leads to his capture. The criminals pass their own judgment upon this killer; this is truly a trial by peers! But without the Rule of Law then society will plunge into anarchy: self-rule works well as a philosophy but it’s the powerful that abuse the weak in reality. Even a child molester has the right to Due Process. And yes, he’s guilty regardless of his own assessment: his premeditation is legal proof of intent, and his writing to the newspaper and covering up his actions shows he understood the concept of right and wrong at the time he committed the crime. Now it’s the government’s duty to pass judgment upon his acts, to punish this murderer with all jurisprudence. (A+)
