Wednesday, March 14, 2012

GUN CRAZY (Joseph H. Lewis, 1950, USA)

A gunpowder romance as Annie Starr is the bullet that loads Bart Tare’s pistol, an explosive orgasm of deadly lead that finally breaches his fugitive morality. An exceptional screenplay by Dalton Trumbo blasts the screen with thinly veiled sexual innuendo: Annie’s grip upon the steel erection and Bart’s boyish masturbatory fetish (“shooting my gun just makes me feel good inside”), leads to their descent into self destructive fantasy. 

As a young boy, Bart is arrested for Burglary while attempting to steal a handgun. As he and his friends plead to the Judge about Bart’s moral character, they keenly express that he never intends to injure living things…he just has an obsession with guns. In a flashback, Bart tells of killing a baby chicken with a pellet gun and this begins a path towards enlightenment where he respects all living creatures: this is the beginning of spiritual Ahimsa. He grows into a kind and gentle man, likable and friendly with a boyish smile and charm that is not a ruse. But his mania still exists and becomes fueled by desire for a sharp shooting queen he meets at a circus: a femme fatale who knows how to handle his gun. Soon they are married and on a cross-country crime spree but he refuses to harm anyone, and in one tender scene he overflows with guilt about shooting out the tires of a police car because an officer could have been injured. 

Director Joseph Lewis creates palpable friction as he films a bank robbery entirely from the back of their car: Bart disappears into the building while a cop wanders by and Annie leaps out to distract him. The violent shootout and chase that follows is filmed on crowded streets (not a backlot or set), and the vertiginous perspective is not for those prone to motion sickness, making the audience accomplice to the crime. The cinematography is beautifully rendered in black and white and often tracks and moves with the action as it speeds towards the last fatal shot. 

Annie murders during their crime spree and relishes in the godlike powers of taking life while Bart diminishes into emotional obscurity. Finally, trapped in the woods of his hometown, Annie is ready to shoot her way out and escape…but Bart breaks one vow while upholding another: till death to us part. 

Final Grade: (B+) 


Alex DeLarge said...

This poster reminds me of the classic comic book cover REFORM SCHOOL GIRLS from 1951. I collect pre-code horror and crime comics and had a chance to pick up an unrestored copy last year at auction, but it went for a cool thousand+.

KimWilson said...

This is a really different type of noir. They remind me of Bonnie and Clyde, except Bart doesn't have Clyde's killer instinct.

Page said...

Well to start.. The poster kicks ass! I've not seen Gun Crazy but the way you've described it I'm missing out as usual.

I enjoyed your description, thoughts on the film.
Have a great weekend!

Alex DeLarge said...

Thanks Kim and Page! Now you've inspired me to watch BONNIE AND CLYDE and post some thoughts:-)

James Brannan said...

Dear Alex,

Greetings from the Pure Entertainment Preservation Society! This is a fine article.

I, Rebekah Brannan, have not participated much in the blog world in the past, but I intend to become more involved now.

I would like very much for you to participate in my upcoming blogathon, The Singing Sweethearts Blogathon, which will be my first real participation in PEPS. This blogathon, which will be hosted around Valentine’s Day, is celebrating the famous singing team Jeanette MacDonald and Nelson Eddy.

You can read the rules of the blogathon at: If you want to join, please comment and tell me your topic, if you have chosen one. I hope you’ll join me in honoring this brilliant team and the holiday of love!


Rebekah Brannan